![]() Collectors who like to handle the print out of frame will appreciate this paper's rigidity and surface feel. The textured finish and satisfying weight of this fine art watercolor paper provides an authentic look and feel for reproductions of watercolor art or, use it to add an interesting natural texture to photography and digital media. Somerset Velvet is a 100% cotton rag paper, making it perfect for conservation quality projects. With a texture that gently softens the overall effect, it adds an extra hint of warmth to reproductions of oils and pastels and a softer edge to photography. ![]() This radiant white paper offers vivid color reproduction and deep, rich blacks for amazing contrast. Cool Tone Picture Rag is an acid-free paper made from 100% cotton rag. Popular among photographers for its exceptional black-and-white imagery, Cool Tone Picture Rag also holds incredibly vivid and true colors. The neutral tone, high D-Max, and high ink saturation make photo papers an outstanding choice for giclee reproductions. The neutral tone, high D-Max, and ink saturation make photo papers an outstanding choice for giclee reproductions.Īrtists and photographers alike love this premium paper for its understated semi-matte finish, optimized for maximum presentation quality with minimum glare. It is acid-free for archival longevity.įor luxuriant depth and vivid color, reproduce your photographs on this premium ultra-gloss finish. Premium Archival Matte is a neutral white paper ideal for black-and-white photography and a variety of fine art applications. ![]() The Adams murals and other art in the Interior Department can be viewed by appointment.Long-lasting and versatile, this premium heavyweight matte finish paper is engineered for high contrast and crisp reproduction of high resolution images. In addition, some saw the side panel, showing curved metal and a hammer poised just so, as a little too symbolic of a Soviet hammer and sickle for comfort. The mural was controversial because of the two shirtless men - one black, one white - working side by side, their hands on the same tool handle. "There was actually a push during the McCarthy era to get this ripped down," Deitz says. The painting, in the form of a triptych, caused some controversy in the 1950s. At the end of one hallway, a group of working men are posed in a heroic scene - the work of social realist painter William Gropper, called Construction of a Dam. There are other works of art adorning the Interior Department's walls. Other scenes show buffalo hunts, a woman carrying a baby in a papoose, a man beating a drum.ĭeitz says the paintings were commissioned by Ickes, who personally oversaw the work. One mural by Velino Herrera shows a scene of a ceremonial dance, Deitz says. While there is a magnificent view of Washington's monuments outside, the walls inside are equally compelling, decorated with murals painted by Native American artists. Deitz showed off its south penthouse, a space he says "was originally designated as the employee soda fountain." The Adams murals are the latest addition to the Interior Department's collection, but the building is a trove of American art. There are several views of Yellowstone's Old Faithful geyser, the Grand Canyon and Rocky Mountain National Park. ![]() The National Parks are well represented in the Adams murals. ![]()
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